PROFESSOR
Gilligan, the Skipper is in the crapper, so to speak. I think I can help
him with just a simple and natural remedy. Can you help me, and him?
GILLIGAN
Sure, Professor. Anything for the Skipper.
PROFESSOR
Gilligan, go get me some palm bark.
GILLIGAN
A LITTLE LATER.
PROFESSOR
Gilligan, go get me some coconut fuzz.
GILLIGAN
A LITTLE LATER.
PROFESSOR
Gilligan, go get me some wild grapes.
GILLIGAN
A LITTLE LATER.
THE PROFESSOR, THOUGH SOMEWHAT DISTRACTED BY HIS MAKESHIFT PHARMACOLOGICAL OPERATION, IS GETTING AMUSED THAT GILLIGAN IS SO WILLING TO BE SUCH A STOOGE. THE PROFESSOR DECIDES TO PUT GILLIGAN TO THE TEST.
PROFESSOR
Gilligan, go get me some volcano pumice.
GILLIGAN
A WHILE LATER GILLIGAN RETURNS OUT OF BREATH AND FILTHY.
PROFESSOR
Gilligan, go get me some menthol cigarettes. Soft pack.
GILLIGAN
A LITTLE LATER GILLIGAN RETURNS EMPTY-HANDED.
PROFESSOR
GILLIGAN
They were out of them, Professor.
PROFESSOR
GILLIGAN
The 7-11 up on Sepulveda.
RUSSEL JOHNSON, AKA THE PROFESSOR, COMES OUT OF CHARACTER AND ASKS BOB DENVER WHY HE FELT IT NECESSARY TO STRAY FROM THE SCRIPT.
JOHNSON
Bob, what's the idea? You know this will have to be cut from the tape.
I mean, why waste the other actors' time with this Sepulveda
crap?
DENVER
Russel, I'm sick of being treated like a idiot each week. The Gilligan
character is getting real lame! I want to be you next week.
Okay?
JOHNSON LOOKS AT THE DIRECTOR FOR AN ANSWER.
DIRECTOR
Bob, Bob, come here, baby.
DENVER WALKS OVER TO THE DIRECTOR
DIRECTOR
Listen to me. This Gilligan is
the star of this show! Dig? Now, let's drop this
character swap nonsense and get back to the script, shall we?
DENVER
Well, can I at least try to solve some differential equation pertinent to the
tidal reach and current eddy turbulence? You know,
(winking to Director)
try to get Ginger to take notice?
DIRECTOR
You think that would that make her notice you?
DENVER
DIRECTOR
Maybe? What does she know about calculus?
DENVER
JUST THEN, A MAN BEARING A STRONG RESEMBLANCE TO WALLY COX ENTERS THE SCENE FROM THE LEFT.
DIRECTOR
I'm sorry, who might you be?
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